Real AmpTuning: E StandardPickup: BridgeCrunchAlternative Rock

Only by the Night Heat — ES-325 Through Selmer

Caleb Followill’s defining guitar of the era was his 1972 Gibson ES-325, and producer Jacquire King has specifically identified a Selmer TruVoice Treble-N-Bass Fifty on “Sex on Fire.” The sessions used up to two amplifiers per performance, typically captured with an SM57 and U67, with short slap delay and additional EchoBoy delay added selectively. Exact amplifier controls were not published, so settings are approximated from that documented recording chain. Source: Sound on Sound’s “Inside Track,” Equipboard’s sourced Caleb Followill entries, and Guitar World.

Signal Chain

1972 Gibson ES-325Selmer TruVoice Treble-N-Bass Fifty with secondary amp blendSelmer cabinet plus secondary combo speakerShort Slap DelayChorus-Section EchoBoy DelayOutput
Guitar1972 Gibson ES-325
Tone
8.5
PickupBridge
TuningE Standard
Volume
10
AmpSelmer TruVoice Treble-N-Bass Fifty with secondary amp blend
Bass
5
Gain
6
Mids
7
Master
6.5
Treble
6.5
Second Amp Blend3
Cab / IRSelmer cabinet plus secondary combo speaker
MicShure SM57 + Neumann U67
Mic PositionSM57 on one amp, U67 on the second
EffectShort Slap Delay
Mix
2
Time95 ms
Feedback
1
EffectChorus-Section EchoBoy Delay
Mix
1.5
TimeQuarter-note feel
Feedback
2

Notes

Keep the central rhythm urgent and upper-mid focused. Use the delay as width and motion, not as an audible repeating lead effect.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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