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RCA Horn-Line Fuzz — Maestro FZ-1 Riff

Keith Richards treated the central guitar line as a temporary guide for a future horn arrangement, using a Maestro FZ-1 Fuzz-Tone to give it a sustained, brass-like character. Engineer Dave Hassinger reportedly applied substantial console EQ to make the primitive fuzz cut through, while the precise guitar, amplifier and settings remain disputed. Settings approximated from the documented session equipment. Source: Premier Guitar's Rolling Stones Gear excerpt and Guitar World.

Signal Chain

Gibson ElectricMaestro FZ-1 Fuzz-ToneVintage Studio Tube AmpVintage Studio SpeakerConsole EQOutput
GuitarGibson Electric
Tone
9
PickupBridge
TuningE Standard
Volume
10
PedalMaestro FZ-1 Fuzz-Tone
Attack7
Volume
8
AmpVintage Studio Tube Amp
Bass
3
Gain
3.5
Mids
7
Master
6
Treble
7
Presence
6
Cab / IRVintage Studio Speaker
MicClose dynamic
Mic PositionNear cap-edge transition
EffectConsole EQ
Output6
Low Cut7
Treble Boost5
Upper-Mid Boost8

Notes

Do not aim for a smooth modern fuzz. Reduce the bass sharply, emphasize the upper mids and play the riff like a clipped horn phrase.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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