Real AmpTuning: E StandardPickup: BridgeMost AccurateHigh GainMetal

Sweet Silence Downstroke Wall — Mark IIC+ Rhythm & Clean Interlude

The main rhythm tone came from a Gibson Flying V plugged directly into a Mesa/Boogie Mark IIC+, with a BB/Aphex EQF-1 inserted in the amplifier’s effects loop. Flemming Rasmussen’s surviving notes provide unusually precise amplifier settings, while the external EQ curve and clean-interlude chain remain partly undocumented. Source: Mixdown’s Master of Puppets tone feature and Flemming Rasmussen’s Mark IIC++ demonstration.

Signal Chain

Gibson Flying VMesa/Boogie Mark IIC+Marshall 4x12 cabinet pairBB/Aphex EQF-1 Loop EqualizerLayered Rhythm ArrangementOutput
GuitarGibson Flying V
Tone
10
PickupBridge
TuningE Standard
Volume
10
AmpMesa/Boogie Mark IIC+
Bass
2
Middle
4
Treble
7
Master 15
Presence
4.5
Volume 17.5
Pull DeepOn
Lead Drive3.75
Pull ShiftOn
Lead Master4.5
Pull BrightOff
Cab / IRMarshall 4x12 cabinet pair
Mic 1Shure SM57
Mic 2B&K 4006
Mic 3AKG tube condenser
Mic 1 PositionCentre of lower speaker
Mic 2 PositionCentre of separate speaker
Mic 3 PositionApproximately four feet away at 45 degrees
EffectBB/Aphex EQF-1 Loop Equalizer
Middle
2
Treble
6
Low Bass6
Low Mids3
PlacementAmplifier effects loop
Upper Mids7
EffectLayered Rhythm Arrangement
PanWide
Main Takes2
CompressionNone
Additional Low-E Tracks2
Microphone Tracks per Take3

Notes

Use strict downpicking and considerably less gain than a modern metal preset. The album’s size came from tightly layered performances, additional low-E chug tracks and carefully blended microphones.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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