Pink Floyd
The first two solo sections use a Strat with the era's silicon Fuzz Face sound, feeding loud clean Hiwatt or Fender amplification with restrained Binson echo. A mild Colorsound boost is included because it appears in documented contemporary setups, although its use on the studio recording is not conclusively established; control positions are representative. Source: Gilmourish Dark Side of the Moon Setups and Kit Rae Tone Building.
