2nd Law Fuzz Arrival — Sustainer Solo & Final Chorus
Most of the track is built from bass, electronics and vocals, with the guitar arriving late as an intentionally harsh fuzz solo. Bellamy used custom Manson guitars and multiple amplifiers during The 2nd Law sessions, but the precise fuzz and amp settings for the song are undocumented, so the controls below are representative. Source: SonicScoop’s Muse tone guide, Electronic Musician’s The 2nd Law feature and MuseWiki’s Guitar Rig archive.
Real AmpE Standard