Real AmpTuning: Open EPickup: NeckCrunchBlues

Skynyrd Climb — Open-E Slide & Explorer Finale

Gary Rossington played the signature slide fills on an SG using an improvised slide setup, while Allen Collins recorded the entire studio outro solo on a Gibson Explorer. The exact 1973 studio amp controls are not documented in the cited interviews, so the Marshall-style settings below are representative of the band’s early no-frills rig. Source: Guitar Player’s Gary Rossington “Free Bird” interview and Guitar World’s Allen Collins isolated-solo feature.

Signal Chain

Gibson SGMarshall Plexi-style headMarshall 4x12Short Plate ReverbOutput
GuitarGibson SG
Tone
8
PickupNeck
TuningOpen E
Volume
10
AmpMarshall Plexi-style head
Bass
5
Gain
4.5
Mids
7
Master
7
Treble
5.5
Presence
4.5
Cab / IRMarshall 4x12
MicRepresentative close dynamic mic
Mic PositionOff-axis, edge of cone
EffectShort Plate Reverb
Mix
2
Decay2.5

Notes

Use smooth, vocal slide intonation in the opening and save the brighter bridge-pickup attack for the long finale. The solo needs moderate gain and strong pick dynamics, not modern compression.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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