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Elephant-Era Octave Stomp — Bass Riff & Fuzz Slide

Jack White created the bass-like riff by sending his Kay hollowbody through a DigiTech Whammy set one octave down into a mid-1960s Silvertone 1485. The solo adds Big Muff fuzz and slide while retaining the octave effect. The Silvertone controls follow Guitar World’s published reconstruction; pedal levels are representative where exact positions were not documented. Source: Guitar World’s “Secrets Behind the Sound” feature and Guitar.com’s Elephant gear guide.

Signal Chain

1950s Kay K6533 hollowbodyDigiTech WhammyMid-1960s Sears Silvertone 1485 — Channel 2Silvertone 6x10 with Jensen C10Q speakersOutput
Guitar1950s Kay K6533 hollowbody
Tone
7
PickupNeck
TuningOpen A
Volume
10
PedalDigiTech Whammy
Mix
10
ModeOne octave down
Pedal PositionToe down
AmpMid-1960s Sears Silvertone 1485 — Channel 2
Bass
5
Reverb
0
Treble
7
Volume
6
Tremolo0
Cab / IRSilvertone 6x10 with Jensen C10Q speakers
MicRepresentative close dynamic
Mic PositionOff-axis, edge of cone

Notes

Mute unused strings aggressively because the octave-down setting magnifies handling noise. Keep the basic riff drier and leaner than the fuzzed slide section.

Don't have this gear?

See the same signal chain mapped to another platform. Knob values carry over as starting points — gain ranges differ between platforms.

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